On Barrie’s Boards

There was an undoubted frisson to bringing M’Connachie & JMB to The Theatre Royal in Dumfries. Did our line about schoolboy dramatics in Dumfries cause a stir in the other place JMB was so fond of? It certainly caused a nervous laugh among the audience.

The theatre is small and intimate with a very good acoustic. The audience welcomed us and the evening went well.

I made a tiny pilgrimage to Moat Brae House on Saturday morning where an Arts Festival bus obscured the frontage a bit. Sadly, it was still possible to see the depredations time has brought to a magnificent building. Dumfries has many lovely buildings – but doesn’t anyone know a gutter clearing operator? I can’t remember seeing so many unplanned roof gardens.

Enjoyed the local museums and found the grave of my husband’s paternal great grandparents. Ate good food and, Fanfare here, stayed in the Glenalder House B&B which is next door to Barrie’s brother’s house in Victoria Terrace. Scotland’s small world syndrome in overdrive.

One final performance of this tour in Livingston on Tuesday 5th June at 7.30

Howden Park Centre tickets 01506 777 666

Come again to learn about the two hander that’s going out for consideration. And if you want to hear Vicky Featherstone in conversation before she leaves the National theatre of Scotland find an event here:

http://www.nms.ac.uk/our_museums/national_museum/whats_on/adults/talks.aspx

After the Party

A big thank you to the Edinburgh audience who made last night in The Pleasance Theatre quite, quite special.

Next venue is the Theatre Royal Dumfries on Friday 1st June at 7.30

Tickets 01387 253 383

Followed by Howden Park Centre, Livingston on Tuesday 5th June

Tickets for there 01506 777 666 Treat yourself to something a little different to round off the Jubilee celebrations’ weekend.

Easily accessible from Edinburgh and the Lothians. Find a map for EH54 6AE

On Home Ground

It’s really exciting to have the Theatre Broad production in Edinburgh tonight. Not that I don’t enjoy heading off to visit other theatres and performance spaces, because I certainly do. All the same, it’s a thrill to know one of my plays is on at a theatre near me.

And that is The Pleasance Theatre on the Pleasance (think Edinburgh University Gym folks) 0131- 650 4673, if you get lost. At 7.30 pm

I learned a lot about writing plays there from Colin Mortimer during his Febfest classes. This has left me with a love of the Jungle Book – how hard is studying for next week when watching that film is the homework? So I would say, if asked, that Edinburgh University’s dedication to drama has played a big part in my playwriting career. Once you’ve experienced the thrill of sitting around in unheated spaces, auditioning student actors and attending rehearsals in other unheated spaces, once the key-holder can be found, why would you opt for any other medium?

Equally the flame has been kept burning by the WEA classes of Liz Hare and the competitions run by Edinburgh Writers’ Club. Liz’s classes in the wonderful surroundings of Riddle’s Court led on to several performances there, when it became for several years a fringe venue. Edinburgh Writers’ Club is one of, if not the, oldest Writers’ groups in Scotland. It’s a gem of its kind and if you want to know more about it go here:

http://www.lothianlife.co.uk/2012/05/a-nursery-of-the-talents-%e2%80%93-edinburgh-writers-club/

Look forward to meeting any readers of this blog tonight. Come up and say hullo.

TOSCA IS NOT A PANTO

Puccini wrote sublime music for unsavoury stories.

As last night’s performance of Tosca progressed in Edinburgh’s Festival Theatre, I began to be uncomfortable with the dramatic rendition of Scarpia. He is an evil, manipulative, sexually predatory individual of the kind that absolute power creates all too easily. It did no one any favours to have the acting lean towards pantomime.

At the curtain calls, which deservedly for everyone’s singing went on for ages, the performer was booed as the villain is at the end of popular panto.

The storyline of Tosca is stripped back to make it one of the clearest opera plots; a drama of the purest kind. This audience member doesn’t need gimmicky renditions to keep her buying the ticket.

EAST KILBRIDE and THE THEATRE OF WORSHIP

East Kilbride Arts Centre is the next venue for Theatre Broad with Peter Pan Man and – of course – my JMB & M’Connachie.

Friday 25th May at 7.30pm

Tickets from:  01355 261000

I was on welcoming duty at my church yesterday and very struck, as I often am, by the theatre of worship. There are never-changing scenes with familiar words and music. Yet, when a christening, wedding or funeral is taking place, there can be truly heart stopping ‘and then’ moments.

The tale of a lost python, the young mum so pre-occupied by the christening lunch, she began to leave and had to be called back by the Minister’s gentle, “I haven’t finished yet” or the baby yelling, while a shy bride tells her vows.

The Passion Plays and the Morality plays brought religious thought to the non educated masses for centuries, but it’s difficult to know whether the church’s sense of the theatrical led or follows.

The Church of Scotland congregation doesn’t use colourful robes, but colour floods into many of its buildings through their stained glass. A stage dressed for sober hued Ministers to engage their followers by the quality of their sermons is a challenging proposition.

ONTO THE SECOND WEEK

Lovely reactions from writing friends and other audience members who’ve caught the play. Particularly pleasing to introduce folk to M’Connachie who has been a passion of Carol Metcalf’s for some time. (Hope you don’t mind me revealing that, Carol)

An alter ego as the catch-all escape from responsibility isn’t a new thing – think of Jekyll and Hyde – but it is an interesting one. There was so much going on in Barrie’s head, maybe he would have enjoyed the luxury I did when I separated them.

Arbroath next Friday at The Webster Memorial Theatre, 01241 435 800. Really not too far from Barrie’s home at Kirriemuir.

COTTIERS TONIGHT 11th MAY

Despite having written the words, Robert and Alan were able to bring a tear to my eye at some moments during last night’s opening of JMB & M’Connachie in Stirling. Wonderfully assured and accomplished performances from all the cast held the audience.

JM Barrie was a giant of Scottish literature, but how did his genius operate?

Your chance to delve into the secrets of how the writer’s mind works is tonight – if you’re within travelling distance of Cottiers Theatre,  Glasgow.

The programme is called PETER PAN MAN

7.30 pm Tickets 0141 357 4000

Today’s the Day

Theatre Broad open in The Tolbooth, Stirling with Peter Pan Man at 7.30 pm. It’s a nervous few hours for me until the lights go down and Mark Harvey’s wonderful music creates the Barrie atmosphere. Like the man, the music plays with our sense of reality.

I hope the play does too. M’Connachie & JMB Who is M’Connachie? Come along and find out. Come up and say hello.

SEASON’S END

Saturday 28th April 2012

I took my seat for the final subscription date of 2011-12 at Edinburgh’s Royal Lyceum Theatre on Thursday night, in some degree of nervousness. There had been a lot of hype over the violent nature of Martin McDonagh’s play, the Lieutenant of Inishmore, which is about the disintegration of terrorist groups in Ireland. However, on the positive side, folk were saying, it’s very funny.

Well, there’s plenty of violence, both mindless and coldly calculating, to chill the blood and give the lie to any romantic idea of the fight for ‘freedom’. ‘Freedom’ is different things to different people and, in this play, cats. Not all ‘freedoms’ are respectable or justifiable. As for the humour, my husband, and lots of other audience members found it funny, but I was struggling to laugh. It’s not my kind of humour. I wonder if I ever get satire.

For those of you who do, the run continues until 12/05/12.

It does feature a wonderful set – really, really wonderful.