WATT

WATT Samuel Beckett Texts selected from the novel and performed by Barry McGovern. McGovern performed the resulting one man play with exquisite timing taking us  back to a time when things like a railway ticket could be bought for a handful of pennies.

He didn’t have any other actors to help realise the physical comedy of two elderly lovers sitting first her on his knee, then him on hers, but he had the audience entranced by it nonetheless. Beckett’s language, so carefully crafted, is well served by the intimate surroundings of the Royal Lyceum Theatre.

Love Letters To The Public Transport System

 

Molly Hunter took a quirky idea – I’m so grateful to be in love I must thank the people who took me, a non-driver, to where I met him  – and created a play of some depth. She intertwines the experience of the central character with related experiences of a playwright searching for an author he’s met once and a woman discovering her fiancee’s unfaithfulness. Do these others illuminate her experience? Maybe, but they certainly give Molly Hunter opportunity to showcase her repertoire of local British accents. Her Glasgow girl is toe-curlingly good. They also relieve the pressure on the central story with sparkling comedy/drama inserts.

All round an enjoyable hour. I’ll be looking out for more of this writer’s work.

Austentatious

Superlatively good. Jane Austen as she never wrote and you never read. The company take the quiet humour of her observational comedy and twist through several degrees until the whole audience is roaring with laughter.

The cast are keen to have the audience interact and ask for title suggestions of the book JA didn’t write in order that they may improvise a play from them. Out of the basket comes Pride and Prejudice and one or two others until they settle on – today’s choice.

From there on the cast’s sound performances and mutual confidence move the story forward at break-neck speed. Comedic timing makes the one-liners sparkle, but the actors bring light and shade to the problem of living in your own time when you’re not of your own time.

Happy Ending.

Aug 2- 13, 15-26 at 13.30 (1h) The Counting House, West Nicholson St. Free (donations if desired at end)

 

Sometimes on the Telly

Drama about drama is sort of like big fleas have little fleas, only the Road To Coronation Street, which was originally called Florizell Street, was more than that.

Daran Little’s script was entertaining, interesting and, for all struggling playwrights hoping to be noticed, a reminder of just how hard that is. (When checking out the writer’s name I had to expand the credits, because he doesn’t appear with the top ranked actors!) Take the politics of big business for a start. Our advertisers won’t like a play with mean streets and Northern (if you’re in London Manchester is North) accents. Then the Canadian chap in charge of commissioning, tries it out on the little people who do actually watch tv. Brilliant.

Casting with the writer on your shoulder demanding perfection became a fraught and haunting business. Lynda Baron, the actress chosen to play Violet Carsons sent shivers down my spine. Nostalgia is a great tool and I remember the early broadcasts – not least because we were allowed to stay up half an hour to watch – and my granny tut-tutting over Ena Sharples’ behaviour.

The other really startling shot was of the all-male board. None of that’s very far away, ladies. Keep it in mind.

Did everybody actually smoke that much? I do remember the first office I worked in where I shared the space with three folk who did, so probably. The fags became a non-speaking character in my eye. Must remember that trick.

Okay, back to the Fringe. I’m going venue spotting with a Director on Wednesday. Might let you know – on the other hand if we find a goody …

Edinburgh Fringe and Festival 2012

TOE DIPPING TIME

Don’t you just love eating standing up – waiting for a bus that’s already late/lost/re-directed – finding box offices – finding venues – queuing in the rain?

It’s August. It’s Edinburgh.

First up was Ronan O’Donnell’s ANGELS starring, indeed he’s the only cast,             Iain Robertson at Traverse 2

Wonderful performance from Iain playing the wrongly accused security guard who writes porn in the library, the DI who sees the porn as corroborating evidence (of murder?), the Brief, the Irish ma, the drug addict shop-lifter and Scarlett Johanson. All on a bare stage with music and lighting changes.

The story is told by the accused acting it out. I wanted a little more of why the shop-lifter was obsessed with the guard and a little less stereotyping of the DI and Brief.

Powerful work. Worth your time.

 

Next I saw BLINK by Phil Porter, a two hander. Harry McEntire and Rosie Wyatt gave lovely performances of two very strange young persons.

Again the cast were called upon to act several other characters and move the props and furniture around the stage. Not bare this time, but rather oddly provided with two office desks, two cardboard boxes and a lawn.

A thoughtful piece that lingers…

 

Hi-Kick at the Main Hall, Assembly Hall was a play/dance/match for three generations. Performed by Seol and Company and choreographed by Lee Lanyoung, the high energy performance showed off breath taking football and acrobatic skills as well as wonderful dancing.

There’s a plot of sorts and audience participation – Dads beware – or at least brush up your keepie-uppie skills before going.

Great fun.

Watch – ed The Three Hagstanes

Three Hagstanes

Robert – the Storyteller

Robert Howat’s Three Hagstanes for Tight-laced Theatre at the Scottish Storytelling Centre, Edinburgh on Sunday 22nd July was a delight. The production, written by Howat and performed by him and Jamie Monteath, mixed traditional storytelling with dramatic rendition.

The story, Howat told his audience in a post-show Q&A session, came to him after he stumbled over a field containing standing stones. He’d been enjoying a pre-stag, stag party when the group found these monuments and ‘hagstanes’ was the closest he could get to his Geordie landlady’s description of what they might be. They inspired a play about witches.

Scotland has an unwholesome record in the discovery and murder (try judicial execution, but I feel quite strongly about this issue too) of witches. Howat opts for the idea that there might have been witches, but were they evil? In his play the witches were protecting their world from the Devil by blocking up vents he mght use to escape. The knight who betrays them is caught by the mores of his time, which allowed him nothing less.

A simple set let Howat and Monteath roam freely. The small boys in the audience were entraced by the knight’s sword. The music both enhanced and paced the script. Howat’s story-telling skills were much to the fore and he has a fine vocal range enabling him to woo and surprise his audience by turn.

Alas, it was one day only, but Tight-laced bring another of his plays, Charlie and the ’45 to the same venue in November.

Work in Progress

Work in Progress

Creatives always have a WIP, don’t they? Except that having told you all about the wonderful opportunity presented by Oran Mor/Channel 4, the brain has locked down.

Happens a lot and I have to wonder whether it’s a fear of success. Well, I’m not admitting to a fear of failure!

I spent the weekend at Penrith Newton Rigg Campus of the University of Cumbria where I was a delegate at the Romantic Novelists’ Association’s annual conference. Yep, I’m not waiting around to make my fortune from playwriting, but trying other fields too. Writing conferences are great for allowing you to mingle with the big names who produce and the big names who buy. It’s also a time-out-of-time when the brain can work in free-fall without the spectre of your usual responsibilities getting in the way.

Did I come back with an idea for 50 minutes of stage time featuring not more than three characters?

No!

However, being de-briefed by my husband on his weekend, I found the idea I need. At least I think I have.

Maybe!

Will keep you updated.

What am I watching? Now off to buy my ticket for Robert Howat and Tight-Laced’s production of the Three Hagstanes. 3pm at the Scottish Story-telling Centre, High Street Edinburgh, Sunday 22nd July. Myth and greed. Sounds just right for the current summer weather.

After the Party

A big thank you to the Edinburgh audience who made last night in The Pleasance Theatre quite, quite special.

Next venue is the Theatre Royal Dumfries on Friday 1st June at 7.30

Tickets 01387 253 383

Followed by Howden Park Centre, Livingston on Tuesday 5th June

Tickets for there 01506 777 666 Treat yourself to something a little different to round off the Jubilee celebrations’ weekend.

Easily accessible from Edinburgh and the Lothians. Find a map for EH54 6AE

On Home Ground

It’s really exciting to have the Theatre Broad production in Edinburgh tonight. Not that I don’t enjoy heading off to visit other theatres and performance spaces, because I certainly do. All the same, it’s a thrill to know one of my plays is on at a theatre near me.

And that is The Pleasance Theatre on the Pleasance (think Edinburgh University Gym folks) 0131- 650 4673, if you get lost. At 7.30 pm

I learned a lot about writing plays there from Colin Mortimer during his Febfest classes. This has left me with a love of the Jungle Book – how hard is studying for next week when watching that film is the homework? So I would say, if asked, that Edinburgh University’s dedication to drama has played a big part in my playwriting career. Once you’ve experienced the thrill of sitting around in unheated spaces, auditioning student actors and attending rehearsals in other unheated spaces, once the key-holder can be found, why would you opt for any other medium?

Equally the flame has been kept burning by the WEA classes of Liz Hare and the competitions run by Edinburgh Writers’ Club. Liz’s classes in the wonderful surroundings of Riddle’s Court led on to several performances there, when it became for several years a fringe venue. Edinburgh Writers’ Club is one of, if not the, oldest Writers’ groups in Scotland. It’s a gem of its kind and if you want to know more about it go here:

http://www.lothianlife.co.uk/2012/05/a-nursery-of-the-talents-%e2%80%93-edinburgh-writers-club/

Look forward to meeting any readers of this blog tonight. Come up and say hullo.